Centre for the Study of the Networked Image
Researcher at CSNI, Tim Fransen, presented at the 14th Open Education Conference: Advancing Open Education Practices (OER23) in April 2023.
Tim’s presentation focused on Map of Essex, an open educational resource that enables the public to freely access, learn about and explore a high-resolution digital version of a …
The exhibition explores the relationship between photography and play. It investigates the notion of image play, creating unexpected connections between the history of photography, the gamification of the visible as well as practices of image-making with and within computer games. The exhibition runs from 5th June to 10 Oct 20021 …
Marco De Mutiis (Digital Curator at Fotomuseum Winterthur) and Jon Uriarte (Curator for the Digital Programme at The Photographers’ Gallery) will attempt to map the current development of NFTs and blockchain technologies from their curatorial perspective. NFT stands for non-fungible token, a unit of data or token stored on a …
Online presentation with Annet Dekker, Gaia Tedone and Marialaura Ghidini of The Broken Timeline – a collection of +250 online exhibitions from the last decades, accompanied by an overview of technical developments – at the Symposium Calculating Control organised by the Zentrum für Netzkunst in Berlin: Monday May 3, 6pm CET.
The …
On 26th April, 17.00 BST, Rhizome will launch the new Artbase, produced in connection with Lozana Rossenova’s recently completed PhD research (at CSNI/Rhizome). The ArtBase has been re-implemented in a new software infrastructure based on the framework of Linked Open Data (LOD), which is part of the broader concept of …
Between Camera & Network: Art and Documentation in Post-Photographic Culture is a series of talks at The Photographers’ Gallery over three weeks in March involving artists, curators, photographers, conservators, educators, technologists and museum professionals. Each talk explores a different aspect of the changing role of photography in art and digital …
Join us online on 10th February 2021 at 15.00 for our next research event when we hear from Irina Aristarkhova (University of Michigan). The session will be devoted to several major themes she raises in her book Arrested Welcome: Hospitality in Contemporary Art, with a special focus on two …
| Our partners The Photographers’ Gallery have just launched a programme exploring existing and potential networks that use images to enable human and machine interactions. Over the course of a year, the social, political, technological and environmental impacts of image networks will be examined through artist commissions, texts, workshops and events. |
Our visiting PhD researcher at CSNI, Laura Hopes, is currently exhibiting Speedwell, a commissioned public artwork, as part of Mayflower 400. Laura is part of a collective called Still/Moving, along with Martin Hampton and Léonie Hampton. For more details on the project and extensive documentation, see https://stillmoving.org/projects/speedwell.…
Associate Researcher at CSNI, Tim Fransen, presented at the first Association for Learning Technology (ALT) Summer Summit – ‘Learning Technology in a time of crisis, care and complexity‘ in August 2020. The event saw 50 sessions being delivered over 2 days with over 280 attendees from 24 countries. …
Three takeaways from the Serpentine’s Future Art Ecosystems Report, published in an article for artnet.news. CSNI/Serpentine researcher Victoria Ivanova and the Serpentine’s chief technology officer Ben Vickers consider the future of art and technology from an infrastructural perspective.
Since the COVID-19 pandemic swept the world, arts organizations have …
CSNI Meeting 1st July 15.00 – 17.00 (UK Time): The Politics of the Networked Image in Collaborative Research
The next CSNI meeting will take place on Wednesday the 1st of July, and will be launching a new research initiative between CSNI and Unthinking Photography (The Photographers’ Gallery), titled The …
Established in 1999, the Rhizome ArtBase is an international and diverse archive with over 2200 born-digital artworks, primarily works of net art. With its expansion in size and scope as well as complexity over the past 20 years, the commitment to preservation of the works in the ArtBase has become …
CSNI partner institutions Fotomuseum Winterthur and The Photographers’ Gallery have invited selected artists to perform guided explorations of specific online and digital spaces in which their core artistic research and practice takes place. Each video stream is conceived as a format blurring the boundaries between a guided tour and a …
One of our researchers, Marco De Mutiis, is collating a collection and small archive of curatorial strategies and failures, coping mechanisms and experiments by artistic and cultural institutions, curators and practitioners reacting to the Covid 19 situation.
London South Bank University and The Photographers’ Gallery are pleased to invite applications for a full-time, funded PhD commencing in April 2020 or ASAP. This is an exciting opportunity to undertake a collaborative doctoral research project with the Digital Programme of TPG and The Centre for the Study of the Networked Image …
CSNI researcher Nicolas Malevé has published “An Introduction to Image Datasets” for The Photographer’s Gallery’s Unthinking Photography platform. It presents some key concepts and questions that make the computer vision dataset an object of concern for photographic practitioners and institutions.
“The scale of contemporary datasets, the speed at …
CSNI’s Co-Director Dr Annet Dekker and PhD Researcher Lozana Rossenova (image above) attended the 16th edition of the International Conference on Digital Preservation (iPRES, for short), which took place 16–20th September, 2019, at the Eye Film Museum in Amsterdam.
The 16th edition of the International Conference on Digital Preservation (iPRES, …
CSNI’s Nicolas Malevé participated in ImageNet Birthday Party with guest of honour Dr. Fei-Fei Li (Stanford University), and chaired by Prof Alan Blackwell (University of Cambridge). ImageNet has become one of the most influential visual datasets in the fields of Deep Learning and AI. More than 14 million photographs were …
How do we think about networks under post-digital conditions? What does this imply for research?
The next transmediale festival, End to End (E2E), aims to deal with the pervasiveness of networks and their limits. It refers to Robert Filliou’s The Eternal Network (1983), pointing to the interconnectedness of everyday-life actions across …
