In December 2018, the CSNI PhD researcher Nicolas Malevé took part in the Image Net/Works conference, organised by Lucerne University of Applied Arts and Sciences in collaboration with Fotomuseum Winterthur. The conference focused on images and the associated economies of looking, producing and sharing as well as the photography’s changing …
Category: Photography
Photographic research has two related objects of attention. Firstly we are interested in current work around computer vision and how it is being framed and taken up in research labs and commercial development. Secondly we are interested in what is happening to cameras and the optics of vision.
The exhibition All I Know Is What’s On The Internet at The Photographers’ Gallery in London, presents the work of 11 contemporary artists and groups seeking to map, visualise and question the cultural dynamics of 21st Century image culture. It is curated by the CSNI researcher Katrina Sluis, whom you can …
Professor Andrew Dewdney has published a book review in the forthcoming issue of Journal of Design History about ‘Memories of the Future: On Countervision’ edited by Dr. Stephen Wilson and Deborah Jaffe.
Read an excerpt here: …
The second annual CSNI Summer School took place in the 7th of June at Jerwood Space in London and it was a rich day of presentations and discussions. This year’s invited speakers included Dr. Geoff Cox and Dr. Magda Tyżlik-Carver who presented their current research projects and responded to the …
CSNI associate researchers Adam Brown and Alan Warburton, along with the game designer Tabea Iseli, were this year’s winning team of the P3: Post-Photography Prototyping Prize! Brown, Warburton and Iseli worked under the theme of ‘Generative Photography’ and created the prototyping project Freezing the Photographer.
Alan Warburton’s work Homo Economicus is part of a new exhibition at the Somerset House Studios which questions the implications of producing, collecting and sorting data for society and the individual. The exhibition, titled Complex Values, includes the works of three resident artists at the Somerset House Studios: Alan …
What does photographic curation mean in an era of the fluid image and during a time of non-medium specificity?
On the 2nd of June 2018, Katrina Sluis, CSNI Researcher and Digital Curator at The Photographers’ Gallery, spoke in the ‘Encounters: Photography and Curation’ symposium – a collaboration between The Photographers’ …
On the 10th of May 2018, Professor Andrew Dewdney presented a talk with the title “What Is The Current Fascination With VR On The Part Of Museums And Art Galleries?” in the Contemporary Art Society’s 2018 Annual Conference. This year’s annual conference explored the rapid development of digital …
Juan Martín Prada, CSNI external researcher associate, has contributed a paper titled New Media Egologies in the 6th issue of the journal Re-visiones.
This article addresses the notion of the web as a mirrored sphere.
The debate about the primacy of a psychomorphic vision of reality, associated with the use …
CSNI Researcher Katrina Sluis was recently interviewed by Lewis Bush for 1000 Words Magazine about her curating and research. You can head over to 1000 Words to read more.…
CSNI Researchers Annet Dekker (21st Feb) and Katrina Sluis (24th May) will be participating in “Curating Machines”, a series of events organised by Olga Goriunova, Lilly Markaki and Chris Townsend (Dept. of Media Arts, Royal Holloway, University of London): https://www.facebook.com/
CSNI Researcher Katrina Sluis was recently interviewed for the BBC Radio 4 Programme ‘PowerPointless’, a documentary on the culture and aesthetics of Microsoft PowerPoint. She discussed the production of the 2016 Media Wall project PowerPoint Polemics at The Photographers’ Gallery and the contribution of artists including Clunie Reid.
Listen …
Gabriel Menotti and Bruno Zorzal interview Katrina Sluis for the Brazilian Photography publication ZUM: Revista de Fotografia.
Read the interview (in Portuguese), here:
https://revistazum.com.br/noticias/entrevista-katrina-sluis/…
CSNI Researcher Alan Warburton has just released a new video essay online
It’s 2017 and computer graphics have conquered the Uncanny Valley, that strange place where things are almost real… but not quite. After decades of innovation, we’re at the point where we can conjure just about anything with software. …
Workshop 22 July, 12pm start
with Nicolas Malevé and Adam Brown: Rethinking workshop / Rethinking work
@The Photographers’ Gallery in London [part of geekender and Experimental Photo School]
16 – 18 Ramillies St, London W1F 7LW
What kind of work is photography, and how can a photographic worker be …
5-7 May 2017
TPG Geekender: Experimental Photo School
with Morehshin Allahyari, Gretchen Andrew, Adam Brown, Rich Cochraine, Claire Davis, Gene Kogan, Nicolas Malevé, Andrew McGettigan, David West,
organised by Katrina Sluis, Ioana Zouli with support from Nicolas Malevé
The collision of photography with planetary scale computing is transforming the medium,
The University of YouTube: The Medium, the User, Photography and the Search for Really Useful Knowledge.
by Andrew Dewdney
In Unthinking Photography, September 2016
This short text is the result of an attempt to understand photographic theory by YouTube, which took the shape of an online errand of …
‘The cat sits on the bed’, Pedagogies of Vision in Human and Machine Learning
by Nicolas Malevé
In Unthinking Photography, September 2016
I am watching Professor Fei-Fei Li, director of Stanford Artificial Intelligence Lab giving a TED Talk titled ‘How we teach computers how to see’, uploaded to the …
Juan Martín Prada & Remedios Zafra
Visiting Researchers
July – September 2016
Expected Research // Centre for the Study of Networked Image, LSBU
Considering art as a privileged practice for the critical examination of digital and visual culture, the purpose of this research proposal is to investigate in depth the …
Informal seminar
Katrina Sluis @ Animate Projects in partnership with QUAD
Friday 22 January 2015, Derbys (UK)
Animate Projects in partnership with QUAD are holding an informal seminar on critically engaged digital practice. Artists and curators will make brief provocations, referencing notable artworks, organisations and events, to set a context …