Museums Without Walls – conference participation

CSNI researchers Teodora Fartan and Paula Roush will both participate in the Museums Without Walls conference at Queen’s University, Kingston, Canada, August 15-17, with keynotes by Michael Connor (Rhizome), Sarah Kenderdine (Experimental Museology Lab / EPFL), Pippin Barr (Concordia University), and Sara Diamond (OCAD University). The publicity materials state: “In …

Curating the Networked Image: Between computation and commodification

Presentation by Associate Professor Katrina Sluis, Head of Photography and Media Arts, School of Art & Design (and CSNI co-Director), Tuesday 17 May 2022, 1–2pm (AEST, so 04.00am UK time, aargh!). Lecture Theatre (room 1.02), Sir Roland Wilson Building, 120 McCoy Circuit, ANU. Register at https://soad.cass.anu.edu.au/events/katrina-sluis-curating-networked-image-between-computation-commodification. Those who can’t …

Forking/Translating Aesthetic Programming

As part of The 7th biennial Critical Code Studies Working Group, Winnie Soon and Geoff Cox have posted some discussion threads about the translation of our book Aesthetic Programming into Chinese. They are interested in the thinking about the parallels between forking and translation.

Introducing Aesthetic Programming: https://wg.criticalcodestudies.com/index.php?p=/discussion/127/week-4-introducing-aesthetic-programming-discussion-starter#latest

Translating Aesthetic …

Volumetric Regimes: The Industrial Continuum of 3D

Join us on Wednesday 3rd November 2021 at 14.00 (online) for our next research event hosted by Possible Bodies (Jara Rocha, Femke Snelting) in conversation with Martino Morandi.

The industrial continuum of 3D is a sociotechnical figuration and phenomenon that can be observed when volumetric techniques and technologies flow between diverse industries …