The transformative nature of networks within a contemporary arts practice

PhD research by Garrett Lynch

Currently Garrett’s research and practice focus is exploring the thesis that networks are a transformative factor in contemporary art practice. How both cultural and technological developments in the latter half of the 20th century e.g. the dematerialisation (Lippard, 1997) of art as object, art as process (Alloway, 1972) and the adoption of a systems approach to a number of fields, have enabled practice to become above all concerned with relationship and behaviour. Art has always suggested connections to the world it is embedded within. Contemporary art continues to do this at a now hyper accelerated pace within a globalised cultural and social context (Castells, 2000) however it can also facilitate actual connections through (new) media as discussed in new media theory. Relationships are produced as a result of connections which enable performative scenarios. As a result of its key concerns this practice should be considered a networked practice and not because of the media forms which may or may not be its technical enabler or carrier.