CSNI researchers publish books, book chapters, journal articles, conference papers and talks, and act as series editors for DATA browser books (Open Humanities Press), The Contemporary Condition books (Sternberg Press), the open access online journal APRJA (Aarhus University and transmediale festival for art and digital culture), and provide support for the Unthinking Photography platform of The Photographers’ Gallery.
More information about research outputs of members can be found at https://openresearch.lsbu.ac.uk/. Recent/selected publications include:
Andrew Dewdney & Katrina Sluis, eds. The Networked Image in Post-Digital Culture. Routledge, 2022.
Alan Blackwell, Emma Cocker, Geoff Cox, Alex McLean, & Thor Magnusson. Live Coding: A Users’ Manual. MIT Press, 2022.
Annet Dekker & Gabriella Giannachi, eds. Documentation as Art: Expanded Digital Practices. Routledge, 2022.
Andrew Dewdney. Forget Photography: The Image in Network Culture. London: Goldsmiths Press, 2021.
Annet Dekker, ed. Curating Digital Art. From Presenting and Collecting Digital Art to Networked Co-Curation. Valiz, 2021.
CSNI (Geoff Cox, Annet Dekker, Andrew Dewdney, & Katrina Sluis). 2021. “Affordances of the Networked Image.” The Nordic Journal of Aesthetics Vol. 30 No. 61-62 (2021): The Changing Ontology of the Image.
Mitra Azar, Geoff Cox, & Leonardo Impett. 2021. “Introduction: ways of machine seeing.” Editorial. AI & Society (Special issue: Ways of Machine Seeing), Springer-Nature.
Winnie Soon & Geoff Cox. 2020. Aesthetic Programming: A Handbook of Software Studies. London: Open Humanities Press.
More information at https://openresearch.lsbu.ac.uk/.